Belle Isle Books
Find us on
  • Home
  • Bookstore
    • Biography
    • Children
    • Historical Fiction
    • History & Politics
    • Holiday
    • Literary Fiction
    • Local Virginia Authors
    • Memoir
    • Middle Grade & Young Adult
    • Mysteries & Thrillers
    • Nonfiction
    • Poetry
    • Self-Help
    • E-books
    • Sale
  • Cooperative Publishing
    • Submit Your Manuscript
  • Self-Publishing
    • Get a Quote
    • Self-Publishing Services
  • About Our Books
    • Meet Our Authors >
      • Pamela Adler
      • Lorin Agedbenro
      • Eric Albright
      • Sadiq Ali
      • The Alimenti Family
      • Krystal D. Allyn
      • L. Meredith Averitt, DVM
      • Liz Ballard Hamm & Andrew Ballard
      • Missy Balusek
      • Medhaa Banaji
      • Mary Alice Barksdale and Donna Jessie Fogelsong
      • Heather Bennett
      • James Berrall
      • Dan Bessie
      • K.E. Bonner
      • S.A. Borders-Shoemaker
      • Dave Bowles
      • Connie Bowman
      • Craig Bradley
      • Gary L. Brinderson
      • Anna Burger
      • Caley Cantrell
      • Catherine Carson
      • Tucker Carwile
      • Larry Caylor
      • Natalie Chase
      • Cindy Chisholm
      • Ray Chung
      • Sylvia Churchill Prince
      • Duncan L. Clarke
      • Greg Clay
      • Emily Hanson Collis
      • Victoria Coniglio
      • Jennifer Cooke
      • Deanna Cox
      • Dr. Lisa Curry
      • Ron Daise
      • Cliff Davis
      • Danielle Dayney
      • Edward Denecke
      • Kathryn Dickerson
      • Julie DiNisio, Jade Miller, & Christine Stoddard
      • Elizabeth Dodson
      • Anita Dromey
      • Greg Drost
      • Mary Culleton Dunn
      • Christel Dyer
      • Lori Epting
      • Joy Fernandez
      • Marc Ferrari
      • Dorothy Fleming
      • Harry Floyd
      • Diane Forti
      • Bridgette Fowler
      • Sydney Gallagher
      • Graham Gardner
      • Kathleen George
      • Karen Gloyer Little
      • Elizabeth Grapes
      • Harold E. Harris, Jr.
      • Emily Peace Harrison
      • Wag Harrison
      • Joseph Hartmann
      • Harry Hathaway Warner
      • J. Matthew Helms
      • Daniel "Seth" Holliday and Daniel "Wayne" Holliday
      • Harry Holmes
      • Carolyn Hoy
      • Nancy Hubbard Clark
      • Philip Iovino
      • Judy Jamison
      • Elizabeth Javidan
      • Sheena Jeffers
      • William Jensen
      • Arnold Johnston and Deborah Ann Percy
      • Ginger Johnston Philbrick
      • Tansill Johnson
      • Dirk and Debbie Kagerbauer
      • Tim Lane
      • Emily Langhorne
      • Liz Larson
      • Brandon Layne
      • Geraldine Lee Susi
      • Martin Lehfeldt
      • T.F. Lloyd
      • Roger Loring
      • Sandrine Marlier
      • Terry Ann Marsh
      • Marjorie E. Masek
      • Mika Matsuno
      • Jeff Mayer
      • Roseanne McDonald
      • Joy Metzer
      • Peter H. Meyers
      • Eric Michlowitz
      • Angie Miles
      • Kate McCarroll Moore
      • Kara Navolio
      • Gail Nelson Canada
      • Cathy Newbanks-Hawks
      • Lauren Oakey
      • Jenny Oates Riggs
      • Liam O'Brien & Noreen O'Brien
      • Abigail Olson
      • Glen Olson
      • Jenny Olson
      • Amanda Lorraine Owen
      • Sharon Pago
      • Dr. Drew Palacio
      • Stephanie Parwulski
      • Anne Poarch
      • Grady W. Powell, Sr.
      • Jody Rathgeb
      • Isabel Reddy
      • Sabrina Rigaud-Carrié
      • John "Sonny" Robinson
      • Beth Roberts
      • John Roche
      • Kim Roedl
      • Allen Edgar Rogers
      • Keith Rustin
      • Marilyn Seigle
      • Laurie Sharp
      • Ben Sharpton
      • Bonnie Stanard
      • William Stanfield
      • Carolyn Sullivan Moore
      • Tammi Summers
      • Susan Swift
      • Paul L. Tsompanas
      • Diane Twomley
      • Dr. Shweta Ujaoney Thackeray
      • Iris Underwood
      • Steven Vaitonis
      • Stacy Vaught
      • Kathy Varner
      • Courtney Jett Walker
      • Olga Wall
      • Doug Warren
      • Robert E. Weems
      • Susan Weiner
      • Rebecca Wenrich Wheeler
      • Randy White
      • Julie Whitney
      • Cade Wiberg
      • Julie Ellis Williams
      • Helen L. Williamson
      • Kelly G. Williams
      • Michael K. Willis
      • Norma Woody
      • Randi Wolf Lauterbach
      • Nikki-Dee Ray Wren and David Wren
      • Edward Wright Haile
      • Nicole Wright
      • Luke Yesbeck
      • Karen Young Foley
      • Richard Lee Zuras
    • Meet Our Illustrators >
      • Yasemin Arkun
      • Dennis Auth
      • Brianna Baker
      • Mary Barrows
      • Jessica Berg
      • Sarah Berkheimer
      • Melissa Blue
      • Cody Bowerman
      • Okan Bülbül
      • Andrea Bures
      • Kendy Calixte
      • Craig Cameron
      • Heather Cockrell
      • Laurie Conley
      • Jeanne Conway
      • Laura Craig
      • Britt Van Deusen
      • Felipe Diaz Huarnez
      • Scott DuBar
      • Parks Duffey
      • Alejandro Echavez
      • Natalia Elmore
      • Susan Emery
      • Apolline Etienne
      • Eric Freeberg
      • Heidi Gibson
      • Jessica Gibson
      • Sander Gibson
      • Cheryl Grant
      • Heather Heyworth
      • Whitney Hill
      • Kate Johnson
      • Wally Jones
      • Kate Jordan
      • Maryana Kachmar
      • Bobbie Kogok
      • Lucy Koo
      • Kelly Lane
      • Nancy LeBlanc
      • Jack Lefcourt
      • Elizabeth Lester
      • Natalia Logvanova
      • Louisa Mae
      • Kelly O'Neill
      • Lintang Pandu Pratiwi
      • Maegan Penley
      • Andrea Pinter
      • Emily Hurst Pritchett
      • Tania Ramírez Cuevas
      • Kira Ribordy
      • Christina Rodriguez-Unalt
      • Leonardo Schiavina
      • Elizabeth Scolero
      • Monique Seibel
      • Vineet Siddhartha
      • Michelle Simpson
      • Amanda Spiers
      • Nancy Taylor Atkins
      • Chad Thompson
      • Tracie Timmer
      • Susannah Wagner Merritt
      • Lindsay Wallen
      • Penny Weber
      • Mindy J.B. Whitten
      • Jen Williamson
      • Keegan Williams
      • Kyrie Woodring
    • News >
      • Blog
  • About Us
    • Events
    • Staff
    • Our Story
    • Careers
  • Contact Us

May 2022 - Self-Publishing: The Realities and Pitfalls

5/31/2022

0 Comments

 
Picture
Many authors who contact Brandylane are struggling with an important decision: Should I self-publish my book, seek a literary agent, or submit my work directly to publishers? In recent years, self-publishing has become a popular option; but as it’s still a fairly new option for the broader public, misconceptions abound. Perhaps chief among these misconceptions is confusion over who is actually publishing the work, if an author receives help from another party during this process. The answer, however, is simple: When you self-publish—in the purest sense—you are the publisher of record. Your book and its International Serial Book Number (ISBN) are registered in your name, or in the name of a company you create, via which you will promote and market your book. In this case, any publishing company you may be paying to produce your book—that is, to create the physical copies, including printing, binding, and sometimes formatting the work—is the packager. In contrast, when you engage and pay a publishing company to publish your work under their imprint or name, they are the publisher, and you are not self-publishing in this case.

Self-publishing is challenging, and costly if done well. For many authors, it’s a journey into the unknown—and as a result, self-published books are often substandard or amateurish. Most savvy readers can easily tell when a self-published book hasn’t been produced by a crew of professionals: the manuscript may not have been carefully edited or proofread; the cover may be poorly designed, with photographs or illustrations that haven’t printed well due to their poor resolution; or the book may simply fail to meet other basic industry standards. Often, these shortcomings happen because, in an effort to save on costs, the author didn't hire an experienced designer or editor.

Another aspect of book publishing that some authors who choose to self-publish rarely consider is marketing. Successful marketing is an enormous factor in a book’s success, and people who choose to self-publish their work don’t receive the benefit of a publisher who will cooperate in the book’s marketing effort. While writing and producing their book, every author becomes their own promoter—but this is especially true of authors who choose to self-publish. The best time to start marketing your work is while it is still in production, so that when your book is released, you will have already built an eager audience that will incite book buyers to come knocking on your door. At this stage, smart self-publishers engage a marketing company or team of friends and family to provide support. Going it alone in your book’s marketing effort is a mammoth undertaking—and a mistake.

In summary, if you choose to self-publish your work, you must become a specialist in many fields at once—writing, design, market research, promotion, sales, even web design and accounting—or you must hire knowledgeable people to assist you. In addition to publishing titles under our imprints, Brandylane has guided many authors through the self-publishing labyrinth, making the process less intimidating and helping them avoid tricky turns and dead ends. We’re always happy to help authors self-publish their work—and we cheer their success as much as we do the books we publish under our imprints!

written by Robert Pruett, Publisher

0 Comments

April 2022 - The Hidden Process of Book Production - and Why Publication Takes So Long

4/30/2022

0 Comments

 
Picture
As a publishing company, one of our primary jobs is to gently guide our authors through the process of book production, causing them as little stress as possible as we turn their lovingly drafted manuscript into a professionally edited, designed, and polished work of art. Most authors are familiar with the first part of this process: editing, wherein they enter into a dialogue with their editor and continue writing and revising their work until every word is finally ready for print. But far fewer authors are familiar with the next parts of the publishing process: design and production, which take place behind the scenes, and with less author input. This perceived separation from the manuscript they've been so involved in editing can be something of a shock, and can sometimes make authors anxious. “Now that my book has been written and professionally edited, what could take so long?” they often ask. “It’s just a matter of printing the words on paper—right?” 

Not exactly. Just as writing a book worth reading can be a slow slog, designing and producing a great book takes time. Preparing a finished, fully revised manuscript for the world to read involves a long series of steps, many of them unknown to authors who are going through the publishing process for the first time. From formatting to cover design to font selection to ordering an ISBN, every part of this operation demands strict attention to detail. The overall process is linear, but every stage of production requires recursive steps to check and recheck language, design, and many other elements for accuracy. And all this is part of the reason why, for us, the entire process of publishing and launching a work takes twelve months or more—and why, for major publishers, this process can take as long as two years. But when production is complete and the book’s final proofs are approved, most authors feel it was worth the wait—even if it took longer than expected.

written by Robert Pruett, Publisher
0 Comments

January 2022 - Learning Patience from the Past

1/31/2022

0 Comments

 
Picture
I first began thinking about starting a publishing company while I was working as a freelance writer, reading Writers’ Market to search for potential publishers for my essays and articles. In doing so, I was surprised to find so many small presses publishing only one or two books a year. How could a publisher produce only one or two books each year? I thought. Surely it would be easy to publish many more titles.

When I founded Brandylane and Pleasant Living magazine in 1985, I quickly learned how time-consuming the publishing process could be—especially production. At the time, after the author wrote their story on a typewriter or by hand, editors and publishers had to type the text into a typographical machine, which printed the text on strips of photographic paper that were then rubber-cemented to flats section by section, line by line, or even word by word! The printer then photographed the flats to produce film, which was then burned into metal plates for the press. A minor grammatical or typographical error meant printing perhaps just two words on the typographical machine, pasting the correction over the error, and producing new film. In my early years as a publisher, I worked many long hours hunched over a light table, meticulously pasting text and photos and measuring every inch. It soon became clear to me why small presses published so few books each year.

That was before desktop publishing found a strong footing. Today, the steps from submission review to the release of a new title remain the same, but modern technology allows us to edit, design, and produce books much faster than we could forty years ago—though still not quite as quickly as many authors would prefer. After spending months or years writing a manuscript, authors naturally feel an urgency to get their book to market, and often want to push their editor or publisher to move faster. Unfortunately, in this business, speed can introduce errors. I often ask anxious, eager authors, “Would you prefer to publish a great book, or a fast one?” Usually they relent and realize the benefits of patience.

Book production has changed dramatically since Brandylane’s early days. I’m grateful for the advancements that have made my work life easier—but I’ve also learned the benefits of a slow, methodical, and careful pace.
​

written by Robert Pruett, Publisher
0 Comments

December 2021 - Advice for New Fiction Authors from one of Brandylane's Senior Editors

12/31/2021

1 Comment

 
Picture
Q: In your view, what are the essential elements of a successful novel?

A: It’s actually quite difficult to outline “essential” elements of a successful novel, since the overall scope of novels can be so broad, there is almost always an outlier that doesn’t follow the “rules.” In general, however, most successful contemporary novels possess three elements that are so basically fundamental, they may seem obvious and even reductive: a coherent, logical plot; characters who function well within that plot, and a strong hook or theme. Fortunately, this final element can often emerge on its own from a strong plot and characters.

Q: What are a few of the biggest mistakes writers make when writing their first work of fiction? 
  • Writing without reading. An avid writer should be an avid reader. As you write your own book, take care not to limit your focus too much to your own effort, and continue expanding your literary horizons by reading other authors’ work.
  • Believing that after they’ve finished their first draft, they can move on to querying publishers without revising their manuscript, or without getting second opinions. Even experienced writers can spend months revising a manuscript by themselves before showing it to any readers, and months revising again after receiving feedback. If you’re a writer tackling your first work of fiction, you will likely make a few big mistakes that will need ironing out before your work can be considered saleable. In fact, in many cases, writers never sell their first novels. Some authors even write multiple novels before finally producing a book that catches the attention of a publisher! These unpublished novels aren’t failures or a waste of time, but rather a tax paid to attain a certain level of craft. Essentially, they’re practice. Allow yourself space to practice, like a violinist before a concert, and try not to get too married to the idea of selling the first novel you’ve ever written. Your concert might be waiting in the form of a second, third, or even fourth novel, and if you spend too much time querying your first effort, you might never get around to writing the work that will eventually make you famous.
  • Including logical inconsistencies. In addition to writing a story, a writer has the difficult task of laying out that story’s entire world for the reader. For the story to have the best effect, that world must be coherent. To ensure their worlds are coherent, authors must be aware what characters know which information when, and ensure that those characters react to new information in accordance with their characterization. Keeping track of the implications certain details and story beats have on the world you’ve created can be a big job, especially for first-time authors. 
  • Including irrelevant details, characters, or scenes that don’t serve a function in the story. Every element an author includes in a story should have some purpose; but even for experienced writers, it can be hard to recognize when a line, scene, detail, or character isn’t contributing anything meaningful to the work. Often, first-time authors write scenes because they want to see them—but sometimes, these scenes do not end up being the most effective vehicles to communicate the author’s message. This is why one of the most common phrases you might hear from an editor is to “kill your darlings.”  
  • Overusing certain words, literary devices, constructions, or clichés, to the distraction of the reader. First-time writers often lean on comfortable clichés and comparisons, or familiar words and turns of phrase. Maybe you’re a chronic purveyor of ellipses. Maybe your characters constantly “murmur” when they speak. Or maybe you’re a little too over the moon about the phrase “over the moon.” An author can have a signature style and technique, but every choice should be intentional, and authors sometimes unconsciously default to certain phrases. When readers pick up on these phrases, it can make the author’s writing feel stale.

Q: How do you recommend first-time authors avoid these mistakes?
  • Read what other authors have written—both their fiction, and what they have to say about their writing process. Reading others’ books will help you absorb new ways to envision the world and new ways to approach the act of writing, both of which will enrich your own work.
  • Before you send out a manuscript, set it aside for a month or so, and then pull it out and revise it on your own. Even better, get a beta reader—or several! The more readers you have before you query publishers, the more you’ll be able to learn about how a variety of people might receive your story—provided you ask a variety of people to read your book. Ask each reader to give you their first impressions of the book, share their favorite parts, and tell you something that confused them about the work. Tell them to be honest, and try not to take offense at anything they might say—chances are if one of your readers feels a certain way about something in your book, so will many others. Use this opportunity to change your work based on their feedback, before you send your book out into the world, and make sure you let your readers know how much you appreciate their advice.
  • Construct a timeline of events for your novel. Some authors find they don’t need to do this, but many do, especially if their novels are particularly long, complex, or well populated with many characters. As you write, make a separate outline, including each scene as a separate bullet point; or create a physical timeline by listing or on a series of notecards. Include each scene, and break it down as much as you need to, including information such as the date and time, new information each character has learned, the characters’ current emotions, and when new characters or important items appear in the work. This may sound more like recordkeeping than writing, but it will help you find inconsistencies in your story more easily.
  • Ask why. As you write, or as you reread your finished book, constantly ask yourself why. Why is this character—this detail—this line—this scene—included at this point? What purpose is it serving in a scene, or even in the novel itself? Sometimes, an author might find multiple characters who serve small but separate functions in a novel can be combined into one. Sometimes, entire scenes that don’t contribute to the story in any meaningful way can be excised to refine a story and make it more powerful. More than anything, asking why will get you thinking like a professional author.
  • Root out repetition. As you write, or as you reread your finished book, pay attention to words and turns of phrase that appear again and again. (Microsoft Word’s Find function can be a big help here, quickly showing you that yes, you did use the phrase “cast her eyes down” seventeen times in your sixty-thousand-word novel.) Of course, an editor can also help you pick out overused phrases, words, and syntax in your drafts, but learning to identify these elements of your writing on your own can help you avoid them before they appear on the page.
an interview with Erin Harpst, Senior Editor
1 Comment

November 2021 - Focusing on Your Intentions

11/30/2021

0 Comments

 
Picture
After four decades of working with authors, I still believe writers must keep two key elements in mind when composing nonfiction: purpose and audience. As you write, it’s important to ask: for what purpose am I writing this chapter, and to whom am I writing?  

As passionately devoted as you may be to the end goal of your book or chapter, it can be easy to drift off the path and/or forget your audience. To combat this, an editor can determine whether your work is fulfilling its originally intended purpose. 

An experienced, sensitive developmental editor can help you define and sharpen your manuscript's essential points. Developmental editing is typically the first step in the editing process, so a developmental editor is often the first line of defense against a blurry big picture, misdirected voice, lack of focus, disorganization - and waste. Ultimately, every sentence, paragraph, and chapter should focus on the intention driving the piece you are writing, and its anticipated audience. All else must be cleared away, so that what remains is only the clear and pointed fulfillment of your intended purpose. To repeat E.B. White’s endless refrain, “Omit needless words!” 

Cutting carefully written passages from your manuscript can be agonizing, so you must be brave and patient. In the end, if you follow your editor’s guidance, your purpose will have been fulfilled, and your audience will know it.

written by Robert Pruett, Publisher
0 Comments

October 2021 - Mission-Driven

10/31/2021

0 Comments

 
Picture
At Brandylane, we invite authors to submit manuscripts of almost all genres and featuring almost all subject matter. But we're especially interested in submissions that teach, promote, and encourage understanding, tolerance, peace, and social justice, as part of our publishing house's personal efforts to combat hate and injustice.
 
When we review and consider a manuscript for publication—and during the editing process—we're especially sensitive to how an author treats issues of gender, sexual orientation, race, religion, and other aspects of culture in their work. Manuscripts that are clearly offensive and can't be salvaged by a developmental edit are rejected outright. For those submissions that can be rescued by one of our skilled editors, we make recommendations for further development, clarification, cuts, or changes to word choice that can bring the manuscript in line with our mission. Historical fiction and memoirs can sometimes present an interesting dilemma, because these works speak to a time when language and social mores were different than they are today. We understand culture evolves and language is dynamic, so we do our best to consider the nuances and anachronisms that may be featured in manuscripts concerning the past.
 
Ultimately, not every book we publish must meet our mission head-on—but all of our books must meet our high standards, and avoid giving a voice to narrowmindedness and inequity.  
 
We love to hear from readers and authors, so don't hesitate to write us and submit your own work!
 
written by Robert Pruett, Publisher
0 Comments

September 2021 - The Editing Dilemma

9/30/2021

0 Comments

 
Picture
Authors face two important questions when they complete a draft of a manuscript: who shall I engage to edit my work, and how can I evaluate an editor to assure I’m making a wise choice?

Frequently, submitting authors tell us their manuscript has been professionally edited. In many cases, however, we discover that the editor is not a qualified professional but a good friend of the author who offered to help, and that the work is poorly executed. (Telling your potential publisher you edited your own work is also a bright red flag!) 
   

I discourage authors from engaging a friend who may be easy on you to edit your work. Becoming a book editor requires much more than loving books, reading voraciously, or majoring in English! Much like a lawyer practices law or a doctor practices medicine, professional editors practice editing, and I can assure you, one never perfects the art. 
   

Finding an editor you can work with cooperatively can be challenging, as can finding one with the right credentials who offers their skills for a reasonable cost. Be cautious, and don't settle. Look for an editor who has demonstrated a high level of skill in editing previously published work—as recognized by respected reviewers or publishers—and who is well versed in the Chicago Manual of Style (CMS), the industry bible for book editors. 
   

Price is of course a big concern; depending on the condition and complexity of the manuscript, great editing can be expensive, but standard industry rates usually apply. I recommend avoiding editors who bill by the hour rather than by the word. Although engaging the services of a slower, meticulous editor can be a plus, the cost for a word rate is more predictable. At Brandylane, we follow industry standards and rates, and we always work hard to make the syntax sing while preserving what makes a book truly memorable: the author’s voice. 
   

written by Robert Pruett, Publisher
0 Comments
Forward>>

    Archives

    August 2024
    July 2024
    January 2024
    November 2023
    September 2023
    August 2023
    July 2023
    May 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021

    Categories

    All
    Advice
    Author Profile
    Authors In Action
    Exploring Book Topics
    Marketing
    News
    Reviews
    Social Media
    Writing Tips

    RSS Feed

Powered by Create your own unique website with customizable templates.